The Nature of Imitation As she was devoting herself

As she was devoting herself to her acting lessons

This series presents photographs from Seiichi and Christine’s very last trip

Published by Void

before moving to Graz where he met Christine Gössler in 1978

The Nature of Imitation As she was devoting herselfWhile understanding photography as a craft as well as an art, she pushed against its limitations. A painting or a drawing, unlike a photograph, is not bound to its subject. In the studio, an artist is free to take creativity wherever it leads For Yola, birds are a metaphor for her photographyfor the ability to fly into freedom while remaining, at times, captured or tethered. Excerpt from foreword by Elisabeth Biondi Looking closely at birds in the